Anthony Perkins Net Worth. Anthony Perkins was an actor, director, and singer from the United States. He was nominated for an Academy Award for his second picture, Friendly Persuasion, but he is best known for his role as Norman Bates in Alfred Hitchcock’s Psycho and its three sequels. Anthony Perkins’s Net Worth is estimated to be approximately $6 Million.
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Anthony Perkins Net worth and profile in one glance
|Born||April 4, 1932|
|Died||September 12, 1992, Los Angeles, California, United States|
|Country of Origin||Manhattan, New York, United States|
|Occupation||Actor, Director, Singer|
|Spouse||Berry Berenson (m. 1973–1992)|
|Children||Oz Perkins, Elvis Perkins|
|Anthony Perkins Net worth||Anthony Perkins Net worth $6 Million|
Biography of Anthony Perkins
Perkins was the son of stage and screen actor Osgood Perkins and his wife, Janet Esselstyn, and was born in Manhattan, New York City. Andrew Varick Stout Anthony, a wood engraver, was his paternal great-grandfather. When his father died, he was five years old.
Perkins was a descendant of John Howland, a Mayflower passenger. After moving to Boston in 1942, he attended Brooks School and Browne & Nichols School, as well as Columbia University and Rollins College.
Stepping stone into Anthony Perkins Net Worth (Career)
In The Actress, Perkins made his film debut (1953). The movie was a flop at the box office. Perkins rose to prominence after replacing John Kerr in the lead role of Tea and Sympathy on Broadway in 1954. This piqued Hollywood’s attention in him once more.
Primary source of Anthony Perkins Net worth (Acting)
Perkins rose to prominence after his second picture, William Wyler’s Friendly Persuasion (1956), in which he played the son of Gary Cooper’s major character.
Perkins went on to feature in the 1957 biopic Fear Strikes Out (1957) as troubled former Boston Red Sox baseball player Jimmy Piersall, as well as the Westerns The Lonely Man (1957) with Jack Palance and The Tin Star (1957) with Henry Fonda.
Under the name Tony Perkins, he released three pop music albums and several singles on Epic and RCA Victor in 1957 and 1958. In the United States, his track “Moon-Light Swim” was a moderate hit, peaking at number 24 on the Billboard Hot 100 in 1957.
In The Matchmaker (1958), he collaborated with Shirley Booth and Shirley MacLaine to exhibit his musical abilities.
When Perkins was younger, he had a childlike, earnest air about him, similar to that of a young James Stewart, which Alfred Hitchcock used and perverted when he played Norman Bates in Psycho (1960).
The film was a critical and economic triumph, and Perkins’ role as the homicidal owner of the Bates Motel earned him international acclaim.
The International Board of Motion Picture Reviewers awarded Perkins the Best Actor Award for his performance. The role, as well as its several sequels, had an impact on the rest of his career.
Perkins starred alongside Ingrid Bergman in the 1961 picture Goodbye Again, which was shot in Paris.
After a brief Broadway run in Harold (1962), he starred in a series of European films, including Phaedra (1962), directed by Jules Dassin and starring Melina Mercouri; Five Miles to Midnight (1962), starring Sophia Loren; Orson Welles’ version of The Trial (1962), based on the Kafka novel; Le glaive et la balance (1963), shot in France; and Une ravissante idiote (1964).
Perkins was a very bashful person, especially when he was among women.
At a party in Manhattan in 1972, Perkins met photographer Berinthia “Berry” Berenson, the younger sister of actress and model Marisa Berenson. They married on August 9, 1973, when he was 41 and she was 25, and have two kids, director Oz Perkins (b. 1974) and singer Elvis Perkins (b. 1976).
Perkins stayed married to Berenson until his death. Perkins’ widow perished in the September 11 attacks onboard American Airlines Flight 11 in 2001, a day before the ninth anniversary of his death. Following a vacation on Cape Cod, she was returning to her California home.
Perkins was diagnosed with HIV while filming Psycho IV: The Beginning, and died on September 12, 1992, at the age of 60, from AIDS-related pneumonia at his Los Angeles home.
His urn is kept at an altar on the terrace of his former Hollywood Hills house, engraved “Don’t Fence Me In.”
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